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Bowling with Erlend Oye
Kings of Convenience teach
us the art of listening
By Terri Ramiah
I wanted to go
gonzo with this article –-in
order to pay homage to the late H. Thompson (if you don't know who that
is drop out of college. They've taught you nothing and you've wasted
$20,000). However, Kings of Convenience don't lend much to that whole
flawlessly manic, mescaline-laced, militant scene. I guess we'll just
have to save my gonzo tribute for the first time I join the ranks of
the rest of you brilliant drug-abusing college students (Gasp. She's
never used drugs? What has she been DOING for the last 21 years!?)
Sean Savage
The line winds
around The Fine Line to see the Kings of Convenience show. The show was
sold out.
In
fact, Kings of Convenience lean more toward the exact opposite scene.
Composed of the quirky and seemingly brilliant Erlend Oye and the more
reserved and yet visibly gifted Eirick Glambek Boe, the pair have
conquered the world of mellow. Never heard of them? They occupy the
same hall of subtlety as Nick Drake and Elliot Smith, and their sound
has been compared to that of Simon and Garfunkel.
Smooth and sumptuous, their songs are
music for the sake of music.
For once, a non-mainstream band that doesn't bother to desperately
strive for the “bad ass,” limit-testing image. Instead, the Norwegian
duo writes music that echoes with simplicity and revisits the idea that
there actually can be joy in the act of pure listening. Even the titles
of their two wildly successful albums are drenched in an elegant,
hushed tones (“Quiet is the New Loud,” “Riot on an Empty Street”).
There are no harsh sounds, no piercing
volumes “just pure harmony
and melody mixing into a kind of lush molasses “ moving around in the
mind and eventually dripping from the fingertips of its listeners. A
girl at the concert announced that it made her want to take her clothes
off. It just makes me want to eat chocolate. Or molasses for that
matter, whatever's available.
Dammit, the concert. That's what I'm
reviewing, right? It was
splendid, sublime. No, really it was. The two took the stage with a
simple setup –-not relying on anything but the sound of their voices
and their two acoustic guitars. When they began with those first few
graceful notes there's wasn't much else in the world I wanted to be
doing. I've never been to a show with that
much respectful silence.
Eirick, lead singer, announced that he was
ill and wouldn't be at
full capacity. I couldn't tell, but maybe I was just too mesmerized to
notice the slight crackle in his voice. Erlend was so evidently
peculiar 6 feet 2 inches with huge aviator shaped glasses. Red hair
plastered to the right side of his head, sticking straight up from the
left. Hilarious. Between songs, they broke up the intensity with that
sort of subtle European humor –-perfect. The songs were taken about
equally from the first and second album and the show ended with "I'd
Rather Dance,” a song featuring Elrend in voice, dance, and um,
bodysurfing. More hilarious.
The concert ended, and people slowly filed
out looking ultimately
soothed. I stuck around with my roommate - I wanted to finish my Blue
Moon. Erlend came out from the back and a line formed, people looking
for autographs. I shrugged my shoulders and joined them. My turn came:
“Hi Erlend. I'm writing an article on you for The Wake. You wanna say
anything?” He peered at me from behind the aviators (the size of his
face). “Tell people to make an attempt at getting their news from
international mediums.” OK, I said, happily. Thanks. (You see, I was as
soothed as the rest of the audience)
I returned to my roommate and realized
that I had left my beer
sitting next to Erlend. I paid like 52 dollars for that thing, I
thought. I walked past him to retrieve it and this time he looked at me
in a way that made me stop. “You want to take Eirick and I out
tonight?” Wow. Okay. Sure.
I sent my roommate home (come on, he would
have been all awkward)
and waited for them. Erlend retrieved me just as I took the last sip of
my Blue Moon and we retired to their tour bus. What a pleasant
time. Conversation with them was soothing
“in the same melodic and
rhythmic tones as their music. Easy, relaxed. Gonzo journalism was the
farthest thing from my mind. Eirick went to bed sick, and Erlend and
the rest of his crew requested bowling. To Bryant Lake Bowl we went.
Although he talked big game, Erlend sucked at bowling, which he well
made up for by dancing to the lane every time his turn came. The girls
next to us recognized him and screamed with delight, receiving in turn
the attention they wanted. Their google-eyed male companion bestowed
upon Erlend a wedgie unlike that I have ever seen. It was 2:00 a.m. and
Bryant Lake kicked us out. We migrated to Hard Times Café and he bought
me French toast and we talked more, continuing the melody. The night
came to end and they dropped me off at home. Erlend demanded my number
and address and he promised to send me a Kings of Convenience T-shirt.
The music ended, and I slept better than I had in months.
I don't really need to tell you to check
them out, because I know
you will. And don't come at it with some sort of frat boy "this-is-some
pansy-Norwegian shit, I-need-my music-to b-bad ass, I-ove 50 Cent,"
attitude. Just try listening, for the love of God. Once you get it,
you'll thank me. I'll let ya'll know when I get that T-shirt from
Erlend.
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