Wednesday March 22, 2006
Sticking to basics
By MICHAEL CHEANG
Eirik
Glambek Bøe, one half of Norwegian acoustic duo Kings of
Convenience,
walked out casually carrying a guitar case, and stood in line at the
taxi stand without any fuss.
“I’m
going to get my
guitar fixed,” he
said matter-of-factly, when I approached him to ask where he was going.
Later
that night, I also managed to exchange hellos with his bespectacled
partner, Erlend Øye, who looked like just another normal
party-goer as
he walked out of the hotel elevator en route to his Electrolab DJ gig.
What
struck me about these chance meetings at the Esplanade in Singapore
last week, was how down-to-earth and friendly the two were.
It’s almost
as if they could not be bothered with the err ... inconvenience that
fame brings them, and are content to be themselves, despite being one
of the most popular acoustic indie bands in the world now.

"Eirik
Glambek Bøe and Erlend
Øye don’t find the distance between
them – one lives in Norway and the other in Germany
– a hindrance to
making music together."
As
it was, the press briefing with the duo was also a light-hearted
affair, with their easy charm and laidback attitude giving the entire
event in Singapore a nice informal atmosphere. The peculiar contrast of
personalities between the two added an interesting slant to
proceedings.
While
the more
serious-looking Bøe appeared
uncomfortable and answered questions almost shyly; the more animated
Øye was hogging the limelight with his curly red hair and
trademark
geeky spectacles, and delivering dry one-liners with an almost
permanent cheeky grin.
Chocolate
and belacan
Individually
Øye and Bøe may seem as compatible as chocolate
and belacan, but as a
team they have gained an international cult following for their brand
of acoustic music, which features wonderful melodies with
well-thought-out lyrics accompanied by little more than a pair of
acoustic guitars.
According
to Bøe,
it is very easy to get
carried away by big musical ideas when the band has more members, so
when they got together as a duo, they strove to take away as many
elements as possible. The stripped down sound of two acoustic guitars
and vocals were a big risk but the Kings of Convenience kept to their
music plan.
“There
is no way you can
hide a bad song if it’s
just you singing with a guitar!” he said. “Kings of
Convenience is a
project to see what we can do with small elements. We also wanted to
bring back the warm sound of acoustic instruments.”
It is a
formula that has seen their Quiet is the New Loud and Riot on an Empty
Street albums gain worldwide recognition, and has even led to them
being compared to legendary folk duo Simon and Garfunkel, because of
the similarities in their music.
“We
never really intended
to
sound like them initially. Actually, we wanted to be a powerful rock
band, but our guitarist and drummer left,” Øye
sighed. “We just did the
best with what we had left, which was to make a lot of music, but by
imagining that there are drums and an orchestra behind the guitars.
“All
the same, I’m happy we’re compared to Simon and
Garfunkel, and maybe in
20 years’ time, people will be saying, oh, that sounds like
the old
Kings of Convenience!”
The
different sides
That
Bøe is the more studious of the two comes as no surprise.
After all, he
has spent the last seven years in their hometown of Bergen studying
clinical psychology, and is just finishing up his thesis on
architectural psychology (which is the study on how our surroundings
affect us, he explained ).
“People
are always asking
me, are
you a psychologist or a professional musician?” he said.
“Personally, I
prefer to keep music a passion, and to remain an amateur musician
– who
are really people who do what they do because they love it.”
On
the other hand, the geeky Øye (who apparently can name every
capital
city in the world and is also a genius in Trivial Pursuit) is by far
the more adventurous and ambitious, music-wise. He is currently based
in Berlin, where he has been developing his music prowess by
moonlighting as a DJ, releasing a solo electronica album, as well as
showing an enthusiasm for collaborating with other musicians.
“I
like to explore the possibilities of working with people I meet without
even knowing how it’s going to be like. When you work with
other
people, a whole new level of sound and music opens itself
up,” he
explained.
As a
result of
Øye’s exploits, Bøe
doesn’t attract
as much attention from fans, despite being the one with the more
conventional handsome ‘popstar’ looks,
“Sometimes
we go
walking around on the street together, people would stop Erlend and ask
him, ‘Are you the guy from Kings of
Convenience?’” said Bøe. “I
usually
get ignored, and sometimes, they would even hand me a camera and ask
me, ‘Can you take a picture for us?’”
“It
suits me fine,
because I never really wanted to be
famous,” he added modestly.
Homesick
Scandinavians
While
the first few years of touring tended to take a toll on Bøe
(he once
fell sick while on tour and only fully recovered months later), he has
slowly begun to enjoy the life of a travelling musician.
“I
struggled to get used
to it for the first few years, but
now I’m starting to feel good about it,” he said.
Still,
it would seem that the thought of home is never very far from his mind.
The same goes for Øye, who looked almost homesick at one
point when Bøe
was describing the beauty of the views and mountains in his hometown in
a most whimsically poetic way possible.
Indeed,
for all their
international acclaim, the duo remains very much attached to their
Scandinavian homeland, which seems to enhance their close friendship.
Theirs
is a friendship that harks back to the days when (according to the
biography on their official website www.kingsofconvenien ce.com) they
would sit on a bench by the window of an ‘old white
house’, and play
songs through the night. Alas, that little bit of their history is
inaccessible to them right now.
“The
old white house
belonged
to my mom and dad, and unfortunately, they don’t love each
other
anymore,” said Øye, feigning sadness.
“Only my dad is staying there now
and he rented part of the house, including the room with that window to
other people. I don’t know. So now, we’re trying to
find a new window
and a new white house. Eirik just bought a new house in Bergen, so
maybe that can be the new ‘old white
house’.”
Øye
also reckons
the distance between the two musicians
isn’t a big problem.
“There
are also now
direct flights from Bergen to Berlin, so
hopefully we can meet up more often.”
Nevertheless,
while the prospect of them getting together more often bodes well for
their fans, Bøe admits that it might take some time before
the next
Kings of Convenience album is released.
“We
like to take as much
time as we want in between records,
so it might be a few more years before our next album,” he
said.
To
fans, that may seem like an eternity, but as Øye and
Bøe have proved so
far, they are at their best when they are taking their time to be
themselves, to enjoy making their own brand of music, and most of all,
when they are doing things at their own convenience.
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