Kings of Convenience: Shouting quietly
w/ Eirik
Kings Of Convenience aren't some new breed acoustic duo.
Acoustic music has been around for decades, but they still feel like
something new, like a warm spring breeze coming in after a long cold
winter. These two average guys have struck a chord the world around and
now they are reaping the wares of their work. Tell them how much you
like their music. Tell them the world is a better place because of
them. Just don't tell them they sound like Simon & Garfunkel. Don't
go there.
Across
the ocean we spoke. Eirik, after having some troubles with a sore
throat, had to cancel our prior engagement, but once in a while things
end up working out for the best.
I
heard you've been having problems with your throat.
Yesterday
my throat was feeling quite sore, and tomorrow we are going to
Amsterdam to do a concert and I was very worried that I wasn't going to
be able to perform because of my throat. But I'm feeling better today.
Have
you been busy doing shows?
Yeah.
We basically go all over Europe all of the time.
How
are you accepting the accolades?
It's
very good. That is the nice part of music, to please people. If people
like our music and come to our shows, I take that as a sign that people
are enjoying what we are doing.
In
America we are being bombarded with pop and metal. I have the feeling
it's the same all over the world, but do you feel like you are a breath
of fresh air to music?
I
think we are. We do have the same musical trends. I think we are
different from what is coming from the mainstream. There are subgroups
of people doing the same thing as us, and you will always have that.
Did
you expect to have this much success in today's musical climate?
In
a way we knew by calling our album Quiet Is The New Loud that it would
get a lot of attention from music journalist. If you have a good slogan
or you can say something with words you may write something. We knew
that we would get attention because what we were doing was different.
We wanted people to debate, not debate our music, but what I mean is
that there is this tendency now to fill up music with more and more
sounds and the music has become louder and louder. That is the general
trend of society because people are so stressed out and with one minute
of silence they become bored. I think we are a reaction to what is
going on in society.
Have
you always played this form of music?
I
started playing acoustic guitar. I've never had an electric guitar. We
used to have a rock band, a kind of rock band, there was an electric
guitarist who made a lot of noise, but I still played my acoustic
guitar. So we weren't a very loud rock band, but we were still a rock
band. We went through different stages of sounds.
Is
the songwriting natural for you two?
Sometimes
it is very natural. With the harmonies, we tend to sing in thirds. It
is very easy for us to make a third part harmony. Sometimes we work on
more interesting harmonies which take more work and that doesn't come
as natural. We have to really work on that and experiment.
Is
there any band that you looked up to for inspiration?
We
loved the band Ride. Then some other bands from our hometown that we
used to see and they would sing harmonies.
Do
you write together?
We
write things together. There isn't one song that was a hundred percent
made by one of us. Mostly one person brings in an idea and the other
person brings the idea to life and finishes the idea. They may have a
lyric or a chord and together we finish it. To make it a whole is a lot
of work and we do that together.
Some
of the songs have great little riffs. Do you draw melodies from the
riffs or the reverse?
We
work with very few elements so each element is very important. Each
guitar part has to have a substance of its own. We aren't just filling
gaps with instruments. We have to be aware of each element and what we
are doing with it. Do you think people enjoy the music so much because
you are relating something we can all relate to?
I hope that is the case. That is where I find the most pleasure in
music, when people tell stories I can relate to. It makes experiences
in my own life more meaningful when I feel like they are singing to me.
It's like a friend I never met. Someone I can relate to even though
I've never met them.
Music does mean a lot when it speaks to you. And to tell you that you
that you are not alone.
Do
you find yourselves getting compared a lot to other people? Who is a
compliment? Who drives you crazy?
I'm
very bored with being compared to Simon & Garfunkel. That isn't
interesting to be compared. It's so superficial because we sing
harmonies and play guitar. We don't have much in common with them. I
like when people compare us to things that aren't so obvious. Like
being compared to Stereolab and Run-DMC. (laughs)
No
way. Run-DMC?
Yeah.
Someone came to us after a show and told us, 'I can tell you've been
listening to Run-DMC.' He was right, because when I was twelve or
thirteen years old I was into Run-DMC. He told me that he could hear
it. We have some songs that aren't on the album where we sing in rounds
where we have call and response singing. He said it sounded like
Run-DMC.
That's
a good ear.
Yeah.
That pleases me. Because I feel like they are really listening when
they compare us to things not so obvious.
I
was wondering if you ever listened to older Beach Boys stuff.
Beach
Boys are a group that I feel like I should check out. I know very
little about them.
I only listen to the one album really, Pet Sounds.
Yeah.
What is the most flattering thing you get
from fans?
I
feel like when people say we are fantastic singers they don't know what
they are talking about. I'm a perfectionist and I know we never learned
to sing and that we are basically experimenting. We are still in the
process of becoming better singers and songwriters. I'm flattered when
people say our music is good music. I'm the kind of person who wants to
always do something better. I'm not expecting anyone to call me a
genius. I think we have so much more potential.
When
was it released overseas? And when was it finished?
In
January. But we finished it in May.
Between
that gap, what were you doing?
Mostly
touring and doing promo stuff. There are so many countries in Europe.
We had to go to a lot of countries.
Now
you'll have new experiences to write about.
Honestly,
it gets kind of monotonous and strange. The hotel room, airport, or a
taxi ride. It may be in a different country, but it's always the same.
It
reminds me of the new Stereophonics album where they sing about exactly
those three things.
Really?
I don't think you can write about those things because it's not a
personally challenging experience. It's boring. That is one of my
problems, when you have success as a musician because that is what your
life turns into. It's this endless monotonous process that doesn't
develop you personally. You don't have much to sing about from living
like this.
Going
into this did you realize what was totally involved?
No.
I've been surprised by how much we had to do. I thought when we had our
record deal, I thought I'd just be making music and having a lot of
time off. It turned out very differently.
You've
found out the hard way about the music business.
Yeah.
I wish I had a substitute that could do all work. There are so many
things that I don't want to do that I have to do. That is also
difficult because when you are in a creative process living a life of
compromises, it isn't a good thing. If you want to create art, your
whole life can't be a compromise. You have to be strong in your own way
and do things your own way. This is a problem for me at the moment.
The
next time around is there anything you may do different?
I
hope the songs that we are working on now will be better songs. And I
hope the recording of the next album will be more pleasant. Recording
this album was a lot of hard work and we struggled a lot recording it.
I hope the next album will come easier and more pleasant.
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charlie craine
05.21.01
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